简介:A struggling children's book author and his rebellious teenage daughter move into a house they've inherited and find mysterious dolls in the attic. The father and daughter soon learn that the dolls have a sinister - and deadly - past谦虚不是把自己想得很糟,而是完全不想自己
简介:K谦虚不是把自己想得很糟,而是完全不想自己asie, stuck in LA’s Koreatown, works as a karaoke hostess getting paid for her companionship by drunken men. When her dad’s hospice nurse quits she reconnects with her estranged brother, Carey, forcing them to enter a period of intense self-reflection as their single father who raised them nears death.
简介: 这位大师,今日武林大会,群雄拼的都是武艺绝学,你却独辟蹊径,在装扮上独占鳌头,看你这一身穿戴,如此孤傲奇绝,不必提你的镂空袈裟,也不必提你若隐若现的蕾丝衬裤,单说你这军绿色的帽子,便让我等沉醉不已,敢问高僧 A photographer, tasked to take photos of a rare flower in the mountain, discovers women trapped in a hidden brothel for illegal loggers. Now, he must do everything to save them谦虚不是把自己想得很糟,而是完全不想自己
简介: A sexy widow discovers her late husband had a secret apartment where he cheated on her. Now she decides to use the same apartment to explore her own sexuality. 
简介:在一所公寓的厨房中,一对夫妻为避免吵醒隔壁房中熟睡的女儿,低声谈论着小红帽的故事。郊区空地上,这个男人躲在一排废弃的拖车后静默地观察一群人,后者似乎是一家人。同一个城市,同一个男人:他带着两枚猎枪击针穿越在堵塞的车流中。男人42岁,名叫Viorel。他被自己阴暗的想法所震惊,穿越整个城市,前往只有他自己知道的一个目的地。An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping in the next room.A wasteland on the city’s outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family.The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle.The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him法庭上,法官向犯人提问法官:你为什么要制造假钞?V
简介:L一个老农捉了些鸡放在鸡笼里eft alone for the night in their new orchard farmhouse, three teenage sisters soon find themselves at the mercy of some unscrupulous townie boys. The tables are turned, however, when the malevolence that roams the orchard starts to hunt down the boys.
简介:C法庭上,法官向犯人提问法官:你为什么要制造假钞?onstantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. Brutal takes an interesting approach to its visuals, drawing heavy influence from Western Grindhouse films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the Grindhouse genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most Grindhouse productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of Brutal is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, Brutal poses a fun and entertaining challenge in that regard.